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PrincetonAudubon.com
JOHN JAMES AUDUBON'S BIRDS OF AMERICA - Originals and unframed
re-creations |
Featuring Princeton
Double Elephants - The world's only direct-camera Audubon
facsimiles.
As seen in The New York Times, the new york historical
society, the taylor clark audubon gallery, the key west
audubon house and gallery, the royal society of london,
and sold also through this
website. |
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GOT FEATHERS?
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Far left: Reduced-size
Princeton Essex Edition Louisiana Heron.
Left: Full-size Princeton Double Elephant Brown Pelican.
Near left: Princeton Double Elephant Red-shouldered Hawk. |
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"of all the audubon facsimiles, princetons come
the closest in appearance and quality to the originals!"
chris lane, owner of the philadelphia print shop and guest
appraiser on pbs antiques roadshow. |
"princetons are true prints, great paper,
incredible detail
and true colors. Princetons are
simply the
finest audubon facsimiles ever made!"
bill steiner, author of audubon
prints:a collector's guide to every edition. |
The
Royal Society of London, to which Audubon
belonged, recently chose Princeton prints to
display at their Kavli International Conference
Center, the 300 year old
Chicheley Hall.
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Shipping $16
domestic.
Next day shipping!
guarantee &
return policy
Ordering multiple prints? Call
908-510-1621 |
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Welcome, and thank you for
visiting Princeton Audubon Limited, and for making us
your choice in Audubon fine art! All Princeton prints
offered on this website are investment quality, museum
grade prints. Princetons are neither posters nor
high-priced computer generated ink-jet giclee editions
which are even now losing their value. Princetons were
uniquely produced by
first purchasing the actual antique originals, and then transferring
all their detail and color through the rollers of a
press to the highest-quality paper.
There are simply no other prints like Princetons, each
being a fine art document of an actual original, right
down to the tips of the feathers!
Princeton has reproduced fine art prints for
The
National Gallery of Art, The National Portrait Gallery,
The Hirshhorn Museum and Sculpture Garden, The
Metropolitan Museum of Art, The Whitney Museum of
American Art, The Detroit Institute of Arts, and many
more where art critical reproductions were needed. Produced between 1985 and 1993 with a production
cost over 1 million dollars, and rarely marketed until
2002, Princetons are nearly sold out. Princeton
double elephants, the
world's only direct-camera Audubon facsimiles, are sold
unframed and shipped the next day. Thank you for your
visit!
Click here to browse our complete gallery of
unframed Audubon prints
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GOT AN EYE FOR AUDUBON FINE ART?
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| Historical note: Since Audubon
portrayed each bird life size, the larger birds often had to be drawn in
unusual positions to fit on the largest copper engraving plates then
available, approximately 27 x 39 inches.
When setting forth on his great project, Audubon
wrote ...
"...nothing, after all, could ever answer my
enthusiastic desires to represent nature, except
to copy her in her own way, alive and moving!"
This
is the great appeal of Audubon prints.
John
James Audubon's compositions are filled with the drama of life,
or as he himself put it ..."alive and moving!" They are also
the same size as life. |
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FEATHER your nest!
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Right: Audubon saw several
flocks of American flamingos in the Florida Keys in 1832, and
while anxious to obtain a specimen from which to make a
painting, he was never able to shoot one.
During a stay in London,
he wrote repeatedly to his friend John Bachman, in
Charleston,
South Carolina, asking for a specimen.
In a letter dated October 31, 1837, he said:
“As to flamingos their Eggs &c I fear this is up for me;
and this proves to me now that I was a great fool not to have
gone to Cuba,
or sent a person there expressly….”
Fortunately, it
wasn’t “up” for him after all.
He finally obtained specimens from
Cuba
and made the drawing for this Havell plate in
London in 1838.
The flamingo’s highly specialized manner of
feeding is as noteworthy as its dramatic coloring.
The bird plunges its head underwater upside down, then
with the upper bill of its sickle-shaped beak serving as a
dredge and the tongue as a sieve, it scoops small shellfish from
the bottom of shallow lagoons.
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Audubon's Ten Best.
FEATHER YOUR
NEST!
We ship our prints the day following your
order.
Prints are shipped in heavy fine art tubes.
we have an ironclad
guarantee &
return policy
OUR REDUCED SIZE ESSEX EDITION
Birds of a
feather frame together!
(At a discount!)
Here are combination offers you can mount together.
All are in mint condition.

Louisiana Heron at left and the
Roseate Spoonbill at right measuring 19 x 23 inches.
(Shown with margins cropped - click to see entire image)

Great Blue Heron at left and the
Hoopping Crane at right measuring 17 1/2 x 26 inches.
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These
beautiful images are from our reduced-size
Princeton Essex New-York Historical Society
Edition, which is produced from the original
engravings held by the New York museum.
Both shown above measure 19 x 23 inches, and are
true prints, whose images are pressed into the
highest-quality Essex paper, and are
manufactured at America's oldest continuously
operated paper mill. The coated paper presents
an outstanding display of color. All four
retail for $150 each. |
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CLICK HERE TO Browse our
COMPLETE gallery of
unframed Audubon prints
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